Évangéline
NORMAL Studio handled projection design for this epic musical about Acadian history. I created looping projection-mapped backgrounds for some chapters—landscape moving paintings based on Acadie, projected across the massive stage. The challenge was working with slow-paced motion (harder when you want things to move) while staying supportive, not overpowering, and flexible since the show’s pacing shifted nightly.
FERA 2026
The RJCCQ needed a visual identity and launch video for their annual business summit for Quebec’s young business leaders. Working closely with Irina Jelta under the “creative destruction” theme, I handled both DA and motion design—letting me build concepts that worked from static to animated. The theme was perfect for exploring Network4’s physics simulation: heavy type animation with intricate color work. The challenge was staying bold and energetic without looking too tech-heavy, since the summit’s themes shift annually and the visual language needs to feel innovative across industries.
Défi Digital 2030
Digital Moment needed social content for a paid Meta campaign promoting an AI challenge for youth aged 13-22. Working under UPPERKUT’s art direction, I handled motion for bilingual stories targeting teachers as the bridge to students—type-based animation with photos of youngsters and bright colors on a short turnaround. The goal was turning education-focused content about sustainable AI into something that actually worked on social feeds and drove conversions.
Gadoua, t’as l’doua
Shed needed the Gadoua logo animated with a soft, bouncy feel that matched the brand. The challenge was staying minimal while making it feel “moelleux” (fluffy, soft). Sometimes the tightest constraints lead to the most satisfying work.
ONIRO
Parc Omega’s nighttime experience follows a wolf cub through a dreamlike adventure in the forest. Working with NORMAL, I assisted the motion lead—handling everything from keying wolves in their natural habitat to generating long AI sequences and compositing scenes for this immersive, after-dark installation in Montebello. The project files were massive, gigabytes of data that demanded serious optimization just to navigate. I was also on-site helping bring the multimedia experience to life.
Ultrawide Baselines
Nodar needed a Lottie file explaining their stereo camera tech—how ultrawide baselines improve range but need auto-calibration to stay accurate. I built a looping animation that made the technical problem and solution clear and digestible in continuous motion. The challenge was keeping it simple enough to understand while showing the complexity of what their software actually solves.
Le Mois de la prévention de la fraude
Ville de Sherbrooke needed three 30-second videos for Fraud Prevention Month through Standish, illustrating the most common scams targeting seniors: romance fraud, fake representatives, and grandparent scams. I handled motion, illustration, and audio, keeping everything simple and slow-paced so older audiences could follow along. The budget was tight, which meant smart choices about where to add detail and where to stay minimal.
The Stream of Consciousness
Tubi and Otoh wanted to turn streaming data from Tubi’s 2024 Stream Report into something people would actually watch. Working under Tubi’s clear branding, color, and style direction with storyboards and illustrations provided, I handled motion design for five 30-45 second videos with titles like “Revenge Bedtime,” “Repetitive Thoughts,” and “Coffee Buzz.” The fun part? The project was near my personal style and color preferences—dynamic animation that required serious chops to pull off. The challenge was executing five mini-movies in three weeks.
Rinaldi – Logo Animation
A straightforward client logo animation for Rinaldi. Sometimes you just need clean, simple motion that does the job without overthinking it.
LUNCH ALBUM SOCIAL
Music Select wanted to promote album launches across different artists with consistent social video content. Working with Zachary Therrien-Watt (marketing manager), I built a system: 15-second motion driven by album artwork, then declined into multiple formats, durations, and text variations. We standardized the endings for branding consistency, created After Effects templates. The challenge was making repetition feel fresh—same structure, different energy for each artist.